clients
- Back Cover
- la Biennale di Venezia
- Centre Pompidou
- Château de Versailles
- Chicken Bacon Lettuce
- Cinq7
- Cité du Design
- La Commune
- DNP Foundation for Cultural Promotion
- Éditions B42
- Éditions de la Maison des sciences de l’homme
- Electa
- Flammarion
- Fondation Cartier
- Groupe Bel
- Harvard Graduate School of Design
- Institut d’art contemporain
- Institut français
- institut supérieur des arts de Toulouse
- MADD — Bordeaux
- Manufacture, haute école des arts de la scène
- Mathieu K. Abonnenc
- Maison&Objet
- Okayama Art Summit
- Pavillon de l’Arsenal
- Paris Design Week
- Paul Lepreux
- Petite Égypte
- RaeberVonStenglin
- Raphaël Zarka
- Saâdane Afif
- Tate Modern
- Verso Books
- Villa Kujoyama
- Zones
La Commune, visual identity
- category visual identity
- client La Commune
- fields cultural institutions, performing arts
- field theatre
- year since 2014
The studio has fully redesigned the visual identity of Aubervilliers national art center for theatre [Centre dramatique national] in 2014, when Marie-José Malis and Frédéric Sacard took its direction. For this complete redesign of identity, we chose to name the place in its intirety («La Commune», «Centre dramatique national» and «Aubervilliers»), exclusively composed in Dada Grotesk. This signature forms a single block, or can also spread out depending on the media. In the case of posters, this typographic frame offers a large space of expression, allowing a specific graphic interpretation for each play.
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